By Karl F. Otto
Hans Jacob Christoffel von Grimmelshausen (ca. 1621-1676) is the main major (and nonetheless readable) writer of seventeenth-century German novels. His Abenteuerlicher Simplicius Simplicissimus continues to be the single German novel of its time that has attained the stature of "world literature": its specified mixture of violent motion and solitary mirrored image, its superlative humor, its real looking portrayal of a peasant became soldier grew to become hermit has made it the longest-running bestseller in German literature. learn by means of scholars and students in comparative literature, heritage, and German, and by way of these drawn to the advance of the picaresque novel in Europe, the paintings and its "Continuations" have more and more occupied students around the globe, who've in recent times proven it to be a piece of sophisticated constitution and characterization, bearing the imprint of the main complex political contemplating the time, and displaying the affects of a few of the main major works of worldwide literature, together with Cervantes' Don Quixote and Barclay's Argenis. This quantity of essays through prime Grimmelshausen students from Germany, the U.S., and England presents analyses of vital themes in his existence and works, together with questions of style, constitution, satire, allegory, narratology, political idea, faith, morality, humor, realism, and mortality. participants: Christoph E. Schweitzer, Italo Michele Battafarano, Klaus Haberkamm, Rosmarie Zeller, Andreas Solbach, Dieter Breuer, Lynne Tatlock, Peter Hess, Shannon Keenan Greene, and Alan Menhennet.Karl F. Otto is Professor of German on the college of Pennsylvania and has written broadly on German Baroque literature.
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Extra info for A Companion to the Works of Grimmelshausen (Studies in German Literature Linguistics and Culture)
3 See the excellent discussion of the entire unraveling of the story in Berghaus and Weydt, 225–30. This section of the introduction relies heavily on the Berghaus and Weydt presentation. 4 One of the better and more successful attempts to show the ways in which the sixth book does indeed belong to the story as a whole is the work on Geheimpoetik by Hubert Gersch, even though one might not agree with all the details. Gersch showed how the sixth book might actually function as a key to understanding the first five books.
Grimmelshausen could not, of course, claim to belong to that nobility, but he seems anxious to legitimize himself in their eyes. Both of the novels are dedicated to members of the lesser nobility, more particularly to members of the family who employed him for many years. His Dietwalt und Amelinde is dedicated to Philipp Hannibal von Schauenburg, to whom he owed much, and his Proximus und Lympida to Maria Dorothea von Schauenburg. These are not Simplician novels, but they do not fall into any other generally recognized class of novels either.
In the case of Courasche, Breuer could not inspect the unauthorized edition published by Georg Müller in 1671 and he had to rely on Scholte’s list of variants. Georg Müller’s edition has a 1 text that parallels the revision of Simplicissimus (E ) by the same pub3a lisher (E ) discussed above. Klaus Haberkamm and Günther Weydt (Reclam) also both edited Courasche. Breuer’s principle of always basing his text on the first edition is questionable in the case of Keuscher Joseph, of PROBLEMS IN THE EDITIONS OF GRIMMELSHAUSEN’S WORKS E 39 which Felssecker published a second, revised edition with the addition of Musai in 1671.